8 ——— a t tert ae oh Foy ™ YALE ALUMNI WEEKLY © ee THE BOOK SHELF. (Conducted by ALBERT LEE, '91.] It used to be the custom of the In- dian tribes in the northern part of New York State to assemble occasionally at Niagara and offer a sacrifice to the Spirit of the Falls., It was a cruel sac- -rifice, for the spirit claimed the fairest daughter of the tribe. The girl was placed in a white canoe, with garlands of flowers and bunches of ripe fruit and turned adrift some distance above the cataract. ‘The rest of the tribe then watched the progress of the frail craft and shouted praises to the Great Spirit as the poor maiden was dashed to her death. William Trumbull, ’83, has chosen this theme in “The Legend of the White Canoe” (New York: G. P. Putnam’s Sons). The tale is told in verse, and, for lack of a better description, I sup- pose it may justly be called a short epic. The metre adopted is suitable to the subject, and is handled throughout with care and skill, with the single ex- ception of the lines in which the words “Seneca” and ‘cataract’? are intro- duced. These words break the lines and spoil the cadence, and could very well have been omitted so as to allow the poem to reach closer to perfection. But this is merely a technical fault, —there are enough good points in the work to make up for it. The legend is well told and the interest of the reader is held from beginning to end. AS a piece of story-telling in verse, Mr. Trumbull’s ‘‘White Canoe” is a suc- cess. The illustrations by F. V. Du Mond are excellent, and the entire make-up of the book is artistic and tasteful. en ee Another book of verse is Mr. G. F. Gourand’s “Ballads of Coster Land” (New York: Herald Square Publishing Co.) As the title indicates, these rhymes treat of the costermonger, and the scene of a number of the incidents depicted is New York City, a queer place for a costermonger, but we know that ’En- ery ’Awkins, in the guise of a concert hall singer, did actually..wander about that city last year. And, doubtless, Mr. yourand caught him in the act. The dialect is well done and some of the rhymes contain humor—of a costermon- gery kind. In the “Cambridge Edition’ of the poems of James Russell Lowell (Boston: Houghton, Miffin & Co.), the poetical writings of that eminent author are for the first time included in a single vol- ume. This edition contains, substan- tially in the order established by Mr. Lowell, the poems included by him not long before his death in the definitive Riverside Edition of his writings, and in addition, the small group contained in the little book, ‘‘Last Poems,” col- lected by his literary executor. The type is large, the paper is of excellent quality and the binding firm and flex- ible. The volume includes a Biograph- ical Sketch, Notes and Indexes. The frontispiece is a fine portrait of Lowell, and a picture of Elmwood, his home, is given on the title-page. It is only natural that an American, visiting Cuba at the present time, should approach the scenes he must witness with a strong prejudice in favor of the lusty insurgent, who, we have all hoped, would soon oust the Spanish from our neighborhood. It is not sur- prising, therefore, that Mr. Richard Harding Davis, in his “Cuba in War Time’ (New York: R. H. Russell) should appear a partisan. Mr. Davis went down to the revolution as the corres- pondent of a New York newspaper, and he was accompanied by Mr. Frederic Remington. In the drawings sent back to the newspaper by Mr. Remington, were depicted a number of strange things which Mr. Davis affirms he ney- er saw, and which it is now very gen- erally doubted that Mr. Remington ever saw. The illustrations, however, which were selected to be included in this volume, have presumably been passed upon by Mr. Davis as authentic, and consequently the picture, on p. 51, of the wooden man standing in a threatening attitude beside the soldier, in a' hammock, should be taken as se-_ riously as the climate will permit. A number of the illustrations, however, are good. Mr. Davis tells his story in his usual interesting manner. He has the ac- knowledged power of holding his read- ers, whatever he writes about, and with such a subject as Cuba it has been easy for him to make a most in- teresting book. The volume is exquis- itely made. While the cover is appar- ently of an inexpensive design, it is ar- tistic and attractive, and quite up to the standard of bookmaking of the day. The Principles of Sociology. . % ‘ [Reviewed by Philip P. Wells-] a The Principles of Sociology by Herbert Spencer. Volume III, New York, D. o Appleton & Co. 1897. 645p 8vo. 4 This volume completing the sytl- . : thetical philosophy, traces the evolu- tion of ecclesiastical, professional + industrial institutions. The origin arit growth of ecclesiastical institutions d? pend on the nature of religious ideas. 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